In this series my work examines the façade of a modern individual. By challenging the structure of the traditional portrait. I seek to create images that allow the viewer to see beneath cosmetics.

My examinations materialize with the interleaving of printmaking techniques. One single image lives a cycle through its construction and deconstruction. Each impression becomes a tier of information. History develops through the mingling of layers and a new language is formed through interplay. It is in this exchange, where the sublime and tactile meet, that my focus lies.